Articles in Print Media:
Havest Time on the Server Farm, Reaping the Net's Body Politics, debate with Sara Diamond and Roy Ascott, in: Mute, issue 18, London, 2000, pp. 42-49.
Multimedia - A Promise, interview with Station Rose, in: private://public, Conversation in Cyberspace, Symposium 3, Edition Selene, Vienna, 2000, pp. 22-32.
Amsterdam Public Digital Culture: Contradictions among User Profiles (together with Patrice Riemens), in RikVoice, 002, Stiftung Risiko-Dialog, St. Gallen, pp. 1-8, October 2000.
New Media Culture in the Age of the New Economy, in: media_city seoul 2000, catalogue, Seoul, 2000, pp. 342-350.
Relational Architecture, Interview with Rafael Lozano-Hemmer, in: Archis 9/2000, Rotterdam, pp. 70-74. Extended version in: Vectorial Elevation, Relational Architecture No. 4, Rafael Lozano-Hemmer (ed.), catalogue published by Conaculta, Mexico City, 2000, pp. 48-67 (Spanish/English).
Introduction and Conceptual background of the Tulipomania Dotcom Conference, in: Tulipomania Dotcom reader, a critique of the new economy, distributed by Uitgeverij De Balie, Amsterdam, 2000, pp. 3-14.
Organized Innocence and the War in the New Europe, On Electronic Solitude and Independent Media, in: Laura Lengel (ed.), Culture @nd Technology in the New Eruope, Civil Discourse in Transformation in Post-Communist Nations, Ablex Publishing, Stamford Conneticut, 2000, pp. 133-144. Published under the same title in the Proceedings of the 6th International Symposium of Electronic Art, Montreal, 1996, pp. 177-181. Appeared first in ZP Proceedings 95, Net Criticism, nettime (ed.), Amsterdam, 1996, pp. 177-181.
Introduction and text for Everyone is a Designer, Manifest for the Design Economy, Edited by Mieke Gerritzen and Geert Lovink, BIS Publishing House, Amsterdam, 2000.
The Importance of Meetspace, A Manual for Temporary Medialabs, Giancarlo Norese (ed.), in: Oreste at the Venice Biennale, Edizioni Charta, Milano, 2000, pp. 18-22.
Fragments of Network Criticism, in: Mauri Yla-Kotola a.o. (ed.), The Integrated Media Machine: A Theoretical Framework, University of Lapland, Rovaniemi, 1999, pp. 87-93.
War in the Age of Internet, Some Thoughts and Reports, Spring 1999, in: Ost-West Internet — Media Revolution, Stephan Kovats (ed.), Campus, Frankfurt-New York, 1999, pp. 322-325.
Audio Freedom, Interview with Zina Kaye, in: Acoustic Space 2, E-Lab (ed.), Riga, 1999, pp. 42-44.
DEF of Tactical Media (together with David Garcia), in: Next 5 Minutes 3 Workbook,
Festival Catalogue, Amsterdam, 1999, pp. 144-146.
Digital Constructivism: What is European Software? An Exchange with Lev Manovich, in: New Media Culture in Europe, Frank Boyd etc. (ed.), De Balie Publishers/Virtueel Platform, Amsterdam, 1999, pp. 42-45. Full version appeared in Continuum: Journal of Media & Cultural Studies, Vol. 13, No. 2, 1999, pp. 165-173.
The Ins and Outs of the Soros Internet Programme in Former Eastern Europe: An E-mail Exchange with Jonathan Peizer, in: New Media Culture in Europe, Frank Boyd etc. (ed.), De Balie Publishers/Virtueel Platform, Amsterdam, 1999, pp. 137-138.
Amsterdam Public Digital Culture, On the Contradictions Among the Users (with Patrice Riemens, in: Catalogue of the 12th Stuttgarter Filmwinter, Stuttgart, 1999, pp. 65-69.
Radical Media Pragmatism (remixed and edited by Felix Stalder), in: Readme!, Ascii Culture and the Revenge of Knowledge, filtered by nettime, Autonomedia, New York, 1999, pp. 329-332. Another version appeared in Like, Art Magazine, Number 6, Winter/Spring 1998, pp. 33-37.
Interview with Mongel, in: Readme!, Ascii Culture and the Revenge of Knowledge, filtered by nettime, Autonomedia, New York, 1999, pp. 306-309.
The Monkey’s Tail: The Amsterdam Digital City Three and a Half Years Later, in: Possible Urban Worlds, Urban Strategies at the End of the 20th Century, INURA (ed.), Birkhaeuser Verlag, Basel-Boston-Berlin, 1998, pp. 180-185.
Culture after the Final Breakdown: A Report from Tirana, Albania, in: Junction Skopje, Inke Arns (ed.), SCCA Skopje, 1998, pp. 40-44.
Preface for Bulldozer, in: Junction Skopje, Inke Arns (ed.), SCCA Skopje, 1998, pp. 73-74, first publish in Hungarian as introduction of the anthology Bulldozer, Media Research Foundation (ed.), Budapest, 1997.
Navigating the Normalcy, Review of subREAL — ‘Serving Art’ — exhibition at Schloss Solitude, Stuttgart, in: Junction Skopje, Inke Arns (ed.), SCCA Skopje, 1998, pp. 91-92.
Intermedia: The Dirty Digital Bauhaus, an e-mail exchange with Janos Sugar, in: Junction Skopje, Inke Arns (ed.), SCCA Skopje, 1998, pp. 156-162. Also published in Convergence, Volume 4, Number 2, Summer 1998, pp. 14-19.
A Manual of Network Fears and Desires, in Station Rose, 1st Decade, Station Rose (ed.), edition selene, Wien, 1998, pp. 156-161. Also published in: Mauri Yla-Kotola a.o. (ed.), The Integrated Media Machine: A Theoretical Framework, University of Lapland, Rovaniemi, 1999, pp. 95-99.
Media Pragmatism, Notes on Cybereconomy, in: Index, 2/98, Stockholm, pp. 38-43.
Radical Media Pragmatism, Strategies for Techno-social Movements, in: Infowar, Catalogue of Ars Electronica Festival 98, Gerfried Stocker, Christine Schoepf, Springer Wien-New York, 1998, pp. 228-234.
How to Turn your Liability into an Asset, Interview with Luchezar Boyadjiev, in: Ostranenie Catalogue 97, Bauhaus Foundation, Dessau, 1997, pp. 302-307.
Japan through a Slovenian Looking Glass: Reflections on Media, Politics and Cinema, An Interview with Slavoj Zizek, in: Annual Intercommunication ’96, ICC/NTT, Tokyo, 1996, pp. 36-43. Appeared also as Civil Society, Fanaticism and Digital Reality: An Interview with Slavoj Zizek, in: Digital Delirium, Arhur and Marilouise Kroker (ed.), New World Perspectives, Montreal 1997, pp. 64-72.
The Art of Being Independent, in: ZPK4, nettime (ed.), Ljubljana, 1997, p. 17.
Information Inequality, Interview with Herbert Schiller, in: ZKP4, nettime (ed.), Ljubljana, 1997, p. 31.
A Push Media Critique, in: ZKP4, nettime (ed.), Ljubljana, 1997, p. 4.
Language? No problem, in: ZKP4, nettime (ed.), Ljubljana, 1997, p. 8.
From Speculative Media Theory to Net Criticism, in: Mute, Special Insert, 1997, pp. 1-2.
The ABC of Tactical Media (with David Garcia), in: ZKP4, Ljubljana, 1997, p. 53.
The Computer: Medium or Calculating Machine? An Exchange with Hartmut Winkler (Shortened Translation), in: Convergence, Volume 3, Number 2, pp. 10-18. Also
published in: European Media Art Festival 1997 Catalogue, Osnabrueck, pp. 270-289.
On the Theology of the Ejector Seat, an E-mail Interview with Mark Dery, in: Mute, Issue 6, Autemn 1996, pp. 10-11.
Africa and Bust (with Patrice Riemens), in: ZKP3, filtered by nettime, Budapest, 1996, pp. 102-104.
The Art of Debating, in: ZKP3, filtered by nettime, Budapest 1996, pp. 189-191.
Media Art in Albania, First Steps, Interview with Edi Muka, in: ZKP3, filtered by nettime, Budapest 1996, pp. 198-199.
About the Brazilianization of India, Interview with Ravi Sundaram, in: ZKP3, filtered by nettime, Budapest 1996, pp. 212-215.
Media Memory, in: Memesis — The Future of Evolution, Gerfried Stocker andd Christine Schoepf (ed.), Catalogue of the Ars Electronica 1996 Festival, Springer Wien-New York, 1996, pp. 230-233.
The Memesis Network Discussion, , in: Memesis — The Future of Evolution, Gerfried Stocker andd Christine Schoepf (ed.), Catalogue of the Ars Electronica 1996 Festival, Springer Wien-New York, 1996, pp. 28-38. Appreared also in: ZKP2 @Cyberconf. 5, Madrid, 1996, pp. 146-149.
A Small Net in a Big World, Or: The Importance of Being Media, in: ZKP2, @Cyberconf. 5, Madrid, 1996, pp. 198-199.
New Media in Deep Europe, in: The Soros Centers for Contemporary Arts, Quarterly 1/96, pp. 15-16.
Data Trash, Interview with Arthur Kroker, in: ZK Proceedings 95, Net Criticism, nettime (ed.), Amsterdam, 1996, pp. 161-164.
Creating a Virtual Public, The Digital City Amsterdam, in: Mythos Information, Welcome to the Wired World, Catalogue of the Ars Electronica Festival, Karl Gerber, Peter Weibel (ed.), Springer Verlag, Wien-New York, 1995, pp. 180-185.
An Anecdoted Archive from the Cold War, Interview with George Legrady, in: Mediamatic, Vol. 8 #2, 1995, pp. 133-138.
Review of Martin Giesecke, Der Buchdruck in der fruehen Neuzeit, in: Mediamatic, Vol. 8 #2, 1995, pp. 145-149.
Esthetics of the Video Document, The Romanian TV Revolution According to Farocki and Ujica, in: Ex Oriente Lux, Catalogue of the Exhibition, Calin Dan (ed.), SCCA Bucharest, 1994, pp. 84-86.
Interviews with Andrei Plescu and Anca Oroveanu, in: Ex Oriente Lux, Catalogue of the Exhibition, Calin Dan (ed.), SCCA Bucharest, 1994, pp. 22-32.
We no longer Collect the Carrier but the Information, Interview with Tjebbe van Tijen, in: Mediamatic, Vol. 8 #1, 1994, pp. 1881-1886.
Heidegger On-line, Interview with Michael Heim, in: Mediamatic, Vol. 8 #1, 1994, pp. 1932-1936.
Review of The Metaphysics of Virtual Reality, Michael Heim, in: Mediamatic Vol. 8 #1, 1994, pp. 1941-1942.
Review of Ostranenie, Catalogue of the 1. Internation Video Festival at the Bauhaus, in: Mediamatic, Vol. 8 #1, 1994, p. 1942.
Review of Dracula’s Vermaechtnis, Friedrich Kittler, in: Mediamatic, Vol 8. #1, 1994, pp. 1942-1943.
Review of The Virtual Community, Howard Rheingold, in: Mediamatic, Vol. 8 #1, 1994, pp. 1945-1946.
Review of Switching-Zapping, Hartmut Winkler, in: Mediamatic, Vol. 8 #1, 1994, pp. 1946-1947.
The Datadandy and Sovereign Media, An Introduction to the Media Theory of Adilkno, in: ISEA 94, Proceedings, Helsinki, 1994. Also published in: Leonardo, Vol. 30, No. 1, 1997, pp. 57-65.
Review of Spam, Arthur Kroker, in: Mediamatic, Vol. 7 #3/4, 1994, pp. 329-330.
Review of The Mechanical Bride, Marshall McLuhan, in: Mediamatic, Vol. 7 #3/4, 1994, pp. 334-336.
Review of Video in Osteuropa, Rossen Milev, in: Mediamatic, Vol. 7 # _, 1994, p. 342.
Theory of Mixing, An Inventory of Amsterdam Radio Techniques, in: Neill Strauss (ed.), Radiotext(e), Semiotext(e), New York, 1993, pp. 114-122. Early, shorter version in: Mediamatic, Vol. 6 #3, 1992, pp. 220-229.
Guenter Wallraff in Transsylvania, in: Mediamatic, Vol. 7 #2, 1993, pp. 156-157.
Review of Norbert Bolz, Die Welt als Chaos und Simulation, plus Quick Reviews, in: Mediamatic, Vol. 7 #2, pp. 181-186.
The Archeology of Computer Assemblage, Interview with Werner Kuenzer and Review of his books, in: Mediamatic, Vol. 6 #4, 1992, pp. 71-76.
Review of Howard Rheingold, Virtual Reality, in: Mediamatic, Vol. 6 #4, 1992, pp. 77-78.
Review of Michael Benedikt (ed.), Cyberspace: First Steps, in: Mediamatic, Vol. 6 #4, 1992, pp. 80-82.
Review of Martin Stingelin/Wolfgang Scherer (ed.), Hard War/Soft War, in: Mediamatic, Vol. 6 #3, 1992, pp. 282-283.
Review of Arthur Kroker, The Possesed Individual, in: Mediamatic, Vol. 6 #3, 1992, pp. 283-284.
Review of Florian Roetzer (Hrg.), Digitaler Schein, in: Mediamatic, Vol. 6 #3, 1992, pp. 294-295.
Review of Avital Ronell, The Telephone Book, in: Mediamatic, Vol. 6 #2, 1991, pp. 197-199.
Deutsches Denken: Interview with Dietmar Kamper, in: Mediamatic, Vol. 6 #1, 1991, pp. 21-30.
Deutsches Denken: Interview with Norbert Bolz, in: Mediamatic, Vol. 6 #1, 1991, pp. 31-41.
Review of Norbert Bolz, Theorie der neuen Medien, in: Mediamatic Vol. 5 #4, 1991, pp.254-255.
Review of Television/Revolution, Das Ultimatum des Bildes, Hubertus von Amelunxen and Andrei Ujica (ed.), in: Mediamatic Vol.5 #4, 1991, 255-256.
Review of Philosophien der neuen Medien, Ars Electronica (Hrsg.), in: Mediamatic, Vol. 4 #1, 1990, p. 73.
Media Archeology, An Introduction to the Work of Friedrich Kittler, in: Mediamatic, Vol. 3 #4, 1989, pp. 185-189.
Review of Kunstforum 97 & 98, Florian Roetzer (Hrsg.), in: Mediamatic, Vol. 3 # 3, 1989, pp. 168-169.
Deutsch:
Amsterdam - New Econopolis - Kultur Wohin? Zukunftsforschung an den digitalen Grachten. In: Du, Die Zeitschrift der Kultur, Zürich, November 2000, pp. 44-46.
Multimedia - ein Versprechen, Station Rose im Gespraech, in: private://public, Gespraeche im Cyberspace, Station Rose (ed.), Edition Selene, Wien, 2000, pp. 22-33.
Anatomie der Medienkultur der 90er Jahre, Von der virtuellen Realitaet zur neuen Oekonomie, in: vision.ruhr, Katalog der Ausstellung Kunst Medien Interaktion auf der Zeche Zollern II/IV Dortmund, Hatje Cantz Verlag, Ostfildern-Ruit, 2000, pp. 34-40.
Aus den Schatzkammern der Netzkritik (zusammen mit Pit Schultz), in: Rudolf Maresch und Niels Werber (Hrsg.), Kommunikation Medien Macht, Suhrkamp Verlag, Frankfurt am Main, 1999, pp. 299-328.
Krieg im Zeitalter des Internets, Einige Gedanken und Berichte, Fruehjahr 1999, in: Ost/West Internet — Media Revolution, Stephan Kovats (Hrsg.), Campus Verlag, Frankfurt-New York, 1999, pp. 316-320.
Kultur in Albanien nach dem Krieg, Interview mit Edi Muka, in: telegraph, ostdeutsch quartalschrift, 2/1999, Berlin, pp. 76-80.
Der gegenwaertige Medienpragmatismus, Bermerkungen zur "Cyber-Oekonomie", in: netz.kunst, Institut fuer moderne Kunst Nuernberg — Jahrbuch 98-99, konzipiert von Verena Kuni, 1999, pp. 138-143.
Die Oekonomie des Idealismus, Medienarbeit jenseits der Hermeneutik, in: Ausdruck 4, Vision Zukunft #2, Kuenstlerhaus Mousonturm (ed.), Frankfurt, 1999, pp. 25-29.
Die Digitale Stadt Amsterdam, Medium wie all anderen oder virtuelle Version des Speaker’s Corner?, in: Claus Leggewie und Christa Maar (Hrsg.), Internet & Politik, Bollmann Verlag, Koeln, 1998, pp. 293-299.
Zwischen Freiheit und Politik — Die Digitale Stadt Amsterdam wird erwachsen, in: buerger@internet.hh, Foerderung von Stadtkultur durch moderne Kommunikationstechnik, Patriotische Gesellschaft von 1765, Hamburg, 1998, pp. 13-18.
"Der Letzte macht das Netz aus!" (mit Pit Schultz), ein Cut-up von Hans Dieter Huber, in: Kritische Berichte, Zeitschrift fuer Kunst- und Kulturwissenschaften, 1/1998, pp. 54-64.
Push Media — ein kritischer Zwischenruf, in: Der Sinn der Sinne, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Schriftenreihe Forum 8, Steidl Verlag, Goettingen, 1998, pp. 289-291.
"Wir sammeln nicht laenger den Traeger, sondern die Information", Interview mit Tjebbe von Tijen, in: Deep Storage, Arsenale der Erinnerung, Ingrid Schaffner und Matthias Winzen (ed.), Prestel, Muenchen-New York, 1997, pp. 170-173.
Wie man seine Passiva in Aktiva umwandelt, Interview mit Luchezar Boyadjiev, Ostranenie 97 Katalog, Stiftung Bauhaus Dessau, 1997, pp. 294-300.
Anmerkungen zur Netzkritik (mit Pit Schultz), in: Mythos Internet, Stephan Muenker und Alexander Roesler (Hrg.), Suhrkamp Verlag, Frankfurt am Main, 1997, pp. 338-367.
Sinnflut Internet (mit Pit Schultz), in: Telepolis, Die Zeitschrift der Netzkultur, nr. 1, Bollmann Verlag, Mannheim, 1997, pp. 5-11, zuerst abgedruckt in ZKP 3, kopierten reader, produziert waehrend der Metaforum 3 Konferenz, Budapest, Oktober 1996.
Der Computer: Medium oder Rechner?, Eine Begegnung im Netz mit Hartmut Winkler, in: Hartmut Winkler, Docuverse, Klaus Boer Verlag, Muenchen 1997, pp. 355-381. Auch abgedruckt im Katalog des Europaeischen Media Art Festivals, Osnabrueck 1997, pp. 270-289.
Virtuelle Staedte und ihre Bewohner, in: Virtual Cities, Die Neuerfindung der Stadt im Zeitalter der globalen Vernetzung, Christa Maar und Florian Roetzer (Hrsg.), Birkhaeuser Verlag, Basel-Boston-Wien, 1997, 55-56.
"What did we do before Internet? I don’t remember", Vorwort, in: Interface 3, Klaus Peter Dencker (Hrg.), Hans-Bredow-Institut, Hamburg, 1997, pp. 7-9.
"Der kurze Sommer des Internet", Geert Lovink im Gespraech mit Peter Saalbach, in: Heinrich v. Pieper und Bolko v. Oetinger (Hrsg.), Wie kommt das Neue in die Welt?, Hanser Verlag, 1997, pp. 313-317.
Grundrisse einer Netzkritik (mit Pit Schultz), in: Interface 3, Klaus Peter Dencker (Hrg.), Hans-Bredow-Institut, Hamburg, 1997, pp. 234-245. Auch abgedruckt in: E-conomy, Management und Oekonomie in digitalen Kontexte, Franz Liebl (Hrsg.), Metropolis Verlag, Marburg 1999, pp. 11-24. Zuerst erschienen in ZK Proceedings 95, Net Criticism, nettime (ed.), Amsterdam, 1996, pp. 31-37.
(Der) Anti-Barlow (mit Pit Schultz), in: Telepolis, Die Zeitschrift der Netzkultur, nr. 0, Bollmann Verlag, Mannheim, 1996, pp. 89-95. Zuerst erschienen in ZKP2 @Cyberconf. 5, Madrid, 1996, filtered by nettime, pp. 175-177.
Media Memory, in: Memesis — The Future of Evolution, Gerfried Stocker und Christine Schoepf (Hrsg.), Katalog des Ars Electronica 1996 Festivals, Springer Wien-New York, 1996, pp. 230-233.
Das Experiment der digitalen Oeffentlichkeit, in: Pl@net, das Internet Magazin, pp.44-45.
Die Memesis Netzdiskussion, in: Memesis — The Future of Evolution, Gerfried Stocker und Christine Schoepf (Hrsg.), Katalog des Ars Electronica 1996 Festivals, Springer Wien-New York, 1996, pp. 28-38.
Zur Stand der Typographie in den Zeiten der Netze (mit Pit Schultz), in Page, 1996.
Datendandy und virtuelle Oeffentlichkeit, in: Stadplaene, 1/95, Wien, pp.35-37.
Die Grazie der Medien Geste, ueber den Datendandyismus, in: Illusion und Simulation, Stafan Iglhaut, Florian Roetzer, Elisabeth Schweeger (Hrg.), Cantz Verlag, Ostfildern, 1995, pp. 175-183.
Ueber den Aufbau einer virtuellen Oeffentlichkeit, Die digitale Stadt Amsterdam, in: Mythos Information, Welcome to the Wired World, Ars Electronica Katalog, Karl Gerber und Peter Weibel (Hrsg.), Springer Verlag, Wien-New York, pp. 180-185.
Der Datendandy, in: Zeitschrift fuer Semiotik, Band 16, Heft 1-2, 1994, pp. 89-91.
Die Digitale Stadt in Amsterdam, in: medien+erziehung, 5/94, p. 275.
Der Datendandy — Allgemeine Prinzipien der kuenstlichen Eleganz, in: GDI Impuls, Rueschlikon, 3/94, pp. 48-56.
Hardware, Wetware, Software, in: Computer als Medium, Norbert Bolz, Friedrich Kittler, Christoph Tholen (Hrg.), Wilhelm Fink Verlag, Muenchen, 1994, pp. 223-230.
Die Zone, Das leere Zentrum Bukarests, in: Warten, Das Magazin, Nr. 2, Berlin, 1991, pp. 110-113.
Realitaetsentgleisungen in Echtzeit-Medien (zusammen mit Morgan Russel), in: Von der Buerokratie zur Telekratie, Rumaenien im Fernsehen, Peter Weibel (Hrsg.), Merve Verlag, Berlin, 1990, pp. 82-85.